Radiance - Northern tales about the real history of the world

Sampo

Book I of the literary and philosophical cycle “Radiance”. A northern legend about a thing that turned out to be more than a thing: about abundance, possession, participation and peace, where myth has not yet separated from labor, cold, home and fire.

We do not retell "Kalevala". We show the world from which such stories could emerge.

Featured Chapter

Chapter Three. Hunk

The morning after the first impossible night: bread, land, firewood and a human attempt to understand where the supply ends and participation begins.

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In the morning the bread lay on the table as if nothing had happened during the night.

It was almost cheeky.

Sofia stopped in the kitchen doorway and looked at the loaf for a few seconds without entering. The house had already woken up, although no one announced the rise. Footsteps creaked along the stairs, water flowed angrily through the pipes, a door slammed somewhere, someone coughed, someone too carefully put a cup on the table. The night passed, but did not clean up after itself.

Bread lay in the middle of a long wooden table.

Dark crust, uneven side, trace of yesterday's knife, a few crumbs on the board. Nearby there is oil in a small ceramic bowl, salt, a knife with a dark handle, berries in a wide bowl, mushrooms, already fried and smelling of the forest so directly, as if the forest did not agree to stay outside.

Everything was normal.

And that is why Sofia was not able to enter right away.

There was still a thin dark strip of soil under the thumbnail.

She washed her hands twice. First in the evening, before going to bed. Then in the morning, when she woke up before Eve and stood for a long time at the small sink under the sloping ceiling. The water was cold, the soap smelled of something pine, the towel scratched the skin. The soil had almost disappeared. Almost. But a thin line remained where the nail turned into the finger.

Sofia could clean it with a brush.

She didn't clean it up.

Not out of respect. Not out of mystical awe. She just couldn't decide right away whether she wanted to erase the evidence or maintain the possibility of doubting that it was evidence.

“Good morning,” Eve said behind her.

Sofia shuddered.

- Do you always walk like this?

- How?

- Inaudible.

- No. Only when a person stands in the kitchen doorway and looks at the bread as if it were a suspect.

Sofia wanted to answer, but remained silent.

Eve walked by, took two cups, and put them on the table. Her hair was tied up casually, and an old woolen sweater lay on her shoulders. She looked like a person who slept poorly, but had long ago made a truce with bad sleep.

- Tea? she asked.

- Is there coffee?

- Yes. But Marek says that the coffee here does not invigorate, but reminds the body of previous mistakes.

— Then tea.

- Reasonable.

Lina was already sitting on the bench by the window. She was peeling a small apple with a knife. The peel was removed with a long thin strip, almost without tearing. Lina had the hands of a person who does not make unnecessary movements.

Nora stood by the stove and looked into the fire. She was not warming herself. She was just watching.

David entered after Sofia, already dressed, with wet hair and the expression on his face that happens to people who decide to start the day with order and discover that order woke up before them and went about its business.

“The water in the shower changes from hot to ice without warning,” he said.

Marek, who was sitting at the edge of the table with a notepad, did not raise his head.

— The warning is on the water itself.

- Where?

- In her character.

Lina smiled without taking her eyes off the apple.

Sofia sat closer to the window. From here you could see the lake between the trees. The morning was gray, humid, not fully awakened. The sky remained low, as if during the night the house had risen a little higher than it should have, and now its roof rested on the clouds. The grass near the porch was dark with dew. Behind the barn stood birch trees, and the white trunks seemed not light, but washed by the cold.

Nick was not there.

This bothered her for some reason.

Then he entered.

He entered the way people enter when they are ready in advance to prove that the day has not broken them. The hair is still damp, the shirt is buttoned crookedly at the collar, the face is cheerful with that dangerous cheerfulness that rests on the internal command “not to think.”

“Good morning to all participants...” he began and faltered.

Marek looked up.

- That's better.

- I haven't said anything yet.

- That's it.

Nick sat next to Sofia, but not too close. Yesterday, by the fire, he sat shoulder to her shoulder, as if ordinary proximity could protect against the unusual. In the morning he kept a short distance.

- Did you sleep? - he asked quietly.

- Almost.

- Me too. The ceiling turned out to be a medium-heavy interlocutor.

- And what did he say?

— Mostly creaked. But with an attitude.

Sofia looked at his hands.

There was nothing on the fingers. No soil, no crumbs, no traces of the night. He noticed her gaze and placed his palms on the table too calmly.

- What?

- Nothing.

- This word is now under our surveillance.

She turned to the window.

Thomas was the last one to enter, heading straight to the table. His glasses sat a little lower than usual, and there were shadows under his eyes. He looked like a man who had spent the night not in fear, but in calculation.

- Has anyone seen Ivar? - Thomas asked.

“We saw it,” said Marek.

- Where?

- Here.

- Now?

- No.

Thomas stood there for a few seconds.

— I asked to find out.

— I answered so as not to lie.

Nick took the cup, looked into it, found that it was empty, and put it back.

— Morning shows signs of life.

Ivar appeared through the side door.

Didn't log in as owner. He didn’t come in as the one they were waiting for. He simply appeared with an armful of thin logs, as if the house had asked, and he heard before the others. He was wearing a dark sweater and had his hair in a long braid over his shoulder. The silver in it in the morning light was not old age, but the cold shine of water. He placed the firewood by the stove, selected two logs, opened the door and placed them so that the fire would not flare up suddenly, but would accept the new fuel calmly.

Nick looked at Sofia.

Very quickly.

Ivar said nothing.

He closed the stove, took an empty kettle, poured water from the jug and put it on the stove.

That's it.

No symbol.

And from this the kitchen itself began to search for what it was.

Lina placed the apple peel on the edge of the plate.

- Cutting bread? she asked.

The question was ordinary. Necessary. Morning.

Nick reached for the knife too quickly.

- I can.

Lina looked at his hand.

- You can.

She didn't give him the knife.

She simply removed her hand.

Nick took the knife.

And he began to cut the bread.

Sofia immediately realized that he did not cut bread.

He was setting a boundary.

The first slice came out thin. Too thin. Almost transparent at the edge. The second one is even thinner. The knife moved slowly, evenly, with almost legal precision. Nick was in no hurry, didn't joke, didn't look around. The crust gave in reluctantly, the crumb compressed under the blade, but he still drew a line so precisely, as if it depended on this line whether the world could become measurable again.

“If you continue,” Marek said, “in ten minutes we’ll be able to look through breakfast.”

Nick stopped.

— I respect the resource.

- You are interrogating him.

Lina quietly put the butter on the table.

Thomas took one of the thin slices, looked at it as if the bread had failed him as a form of matter, and reached for a knife.

- Is it possible?

Nick gave him the knife.

Thomas cut himself a piece.

Thick.

Not rude. Not greedy in the usual sense. It's just too reliable. The slice turned out strong, dense, with a large crust and a heavy side. It settled on the plate with a sound like it was taking a position.

Thomas heard it himself.

He looked at the slice, then at the loaf, then at the knife in his hand. His movement froze where a person can still pretend that everything is normal.

Nick didn't say a word.

Ivar stood at the stove and poured boiling water into a large kettle. Didn't look at Thomas. Or he looked differently than with his eyes.

“You can take it,” he said.

The kitchen became quieter.

The kettle continued to ring subtly with hot water.

“The Earth is not greedy,” said Ivar, closing the lid. “She just remembers who took it to eat and who took it to hide.”

Nick slowly placed the knife on the board.

Thomas looked at his hunk.

David frowned.

- The difference is not always obvious.

Ivar looked up at him.

— That’s why the man was given a hand.

- Hand?

— The hand often knows before the head.

He said nothing more.

Thomas' hand still lay next to the thick piece. He didn't remove it. Nick took one of his almost transparent pieces and began to spread the butter so carefully that it did not so much lie on the bread as try to negotiate with the surface. Eva placed the cup in front of Sofia. Lina ate slowly, calmly, without showing restraint. Nora took a very small piece, then looked at it and broke off a little more. Not for beauty. It just happened that way.

Sofia did not reach for the bread.

She looked at her fingers.

The thin strip of soil under the nail seemed darker.

- You won't? - asked Eva.

- I will.

Sofia took the knife.

The handle was warm from someone else's hands.

There was a chain in the warmth: Lina, Nick, Thomas, now she. Each one held the same object and through it, without meaning to, communicated something of their own to the table.

Sofia placed the blade against the crust.

The bread resisted.

Not much. How good bread should resist. The crust held its shape, the crumb underneath was dense, moist, and alive. The knife entered with a quiet crunch.

She cut off the middle slice.

Not thin.

Not thick.

And then she was angry with herself for noticing.

Nick noticed too.

“Compromise hunk,” he said almost without a voice.

- Be quiet.

- Yes, that's better.

- Which is better?

- Be silent.

He actually fell silent.

And it was more useful than a joke.

At this point, Thomas placed his thick piece on the edge of the plate and did not eat it.

He took the berries.

Then mushrooms.

Then tea.

The chunk remained.

Not forgotten. Too visible to be forgotten. It lay next to the plate, like something taken for future use and suddenly losing the right to be innocent.

Sofia saw that Ivar had noticed too.

He didn't say anything.

Breakfast continued.

People gradually began to speak. Not about the night. About the water in the shower, about the weather, about whose socks are drying, about the fact that communication can only be made on the top step of the porch and only if you hold the phone like a sacrificial dish. Normal speech returned cautiously to the house.

“I went out onto the porch this morning,” said David, “and the phone showed three bars.”

- And? - Nick asked.

- I raised my hand - they disappeared.

— The phone does not like gestures from above.

- I sat down and appeared.

- So the phone respects fatigue.

- Very scientific.

— I try to match the level of communication.

Lina laughed quietly.

The laughter passed easily. It did not destroy the tension, but allowed it not to become a pose.

Sofia ate her slice slowly.

The bread was delicious.

If it was strange, bitter, too warm, too earthy, you might get scared and put the plate down. But it was simply delicious. Dark, dense, slightly sour, with a subtle sweetness from the grain and a dry crunch from the rind. Bread did what bread was supposed to do: feed.

And that’s why everything became more difficult.

Because last night the man in the snow also wanted to be fed.

He didn't want to become a villain.

He wanted the child not to cough on the bench, so that the bag was not too light, so that the wife at the stove did not silently count how much was left. He wanted stability. He wanted warmth. He wanted not to depend on the neighbor's door.

Sofia saw his hand on the warm snow.

And her own - on bread.

There was a difference.

Should have been.

But it was no longer so comfortable.

- Sofia? - asked Eva.

- What?

- You are far away.

- Not really.

- Okay.

Eve did not return it further.

Ivar, meanwhile, took the empty basket from the door and left.

No announcement. Without “after breakfast we will do this.” He simply left, like a person for whom the morning consists not of meanings, but of deeds.

Marek stood up next.

— We need wood at the stove. Who is not afraid of the outside world?

Nick raised his hand.

- I'm afraid, but culturally.

- This is not a qualification.

- Then I will spiritually support the others from a safe distance.

- Sofia? - asked Eva.

Sofia realized that the question was not about firewood.

- I'll go.

“I’m with you,” Nick said.

“No,” she said faster than she had intended.

Nick fell silent.

She saw that she had hurt him and immediately regretted it.

— I don’t mean it that way.

- Which one?

— I don’t know. I need... myself.

He nodded.

- Take gloves.

- Why?

- So that later there will be no heroic epic about a splinter.

- Thank you.

— I have a modest practical role today.

Sofia took the gloves.

Marek gave her a smaller, empty basket.

- Shed behind the house. Dry - on the right. Don't take the bottom ones, they are still wet.

— How to understand?

- By hand.

She looked at him.

He held his gaze calmly.

“Of course,” said Sofia.

— Not everything can be understood with the eyes.

She came out.

The morning air greeted her not even with cold, but with humidity. It was full of water, but not rain. The water stayed on the grass, on the porch railing, on the stones along the path, on the gray bark of an old birch tree. It was easy to breathe and at the same time difficult, as if each breath brought inside not only air, but also part of the wet world.

The house behind her made a muffled noise. Voices, dishes, steps. Ahead stood a barn, low, dark, with a door that hung slightly crooked and therefore looked more honest than most doors.

Sofia walked towards him along a narrow path.

The grass wet her boots almost immediately.

Last night she would have noted this as a domestic inconvenience. Today the wet grass touched her feet precisely, coldly, without anger. Just a reminder: everything concerns here. Nothing remains a pure picture.

The barn smelled of tar, damp bark and old iron.

The word “hardware” came by itself.

Sofia stopped at the door.

She put her palm on the board.

The board was cold.

Normal.

She almost got angry at this.

What kind of stupidity is it to be angry at the board for being a board.

It was dark in the barn. Light passed through the cracks between the boards in thin gray stripes. Firewood lay along the wall: on the right, dry, as Marek said; on the left is darker, heavier, with moist bark. She took the first log on the right, then the second, the third. The dry wood was lighter than it looked. In the hand it sounded different: not with a voice, of course, but with weight.

Dry - ready to fire now.

Wet - still holds water.

She put several logs in the basket.

On the bottom shelf were thin splinters. She took a handful, then froze.

Too much?

The question was funny.

Kindling. Not bread. Not a winter supply. Not the fate of the world. Just a few thin dry wood chips for the stove.

But the hand stopped.

She heard Ivar:

"The earth is not greedy. It just remembers who took it to eat and who took it to hide."

Sofia put some of the splinters back.

Then she took one again.

And she almost laughed.

If in the morning a person begins to negotiate with a piece of kindling, it means that the night really was not in vain.

“They’ll all get mixed up later anyway,” Nora said behind the door.

Sofia winced and hit her shoulder on the counter.

- Do you always appear like this?

Nora stood outside, wearing a gray sweater and rubber boots. She had an empty metal bowl in her hands.

- No.

- Is this your general answer here?

Nora thought.

- Yes.

Sofia exhaled.

- What gets mixed up?

- Splinters. Dry or not dry. Necessary, unnecessary. Someone will take the wrong one anyway.

- Comforted me.

— I didn’t console.

Sofia adjusted the logs in the basket.

- Do you need something?

- I'm getting some berries. Lina asked.

- In the barn?

- Behind the barn. There are bushes there.

- Is it too late for berries?

— Some people don’t know.

They went out together.

There were indeed bushes behind the barn. Low, tangled, with dark leaves already touched by rust. The berries remained on them: small, dark red, almost black at the base. Nora sat down and began collecting them in a bowl. She did it slowly and a little unevenly. Sometimes she reached for a berry, then changed her mind. Sometimes she picked too quickly and winced when the berry burst in her fingers.

Sofia watched.

- You don’t take them all.

- No.

- Why?

Nora raised her shoulder.

- I don’t know. It's calmer this way.

- To whom?

- To me. Bush, probably. To the birds. Don't know.

She looked at her fingers, stained with dark juice.

- And then, if you collect everything, the bowl becomes too full. Then I start to think about where to put the excess. I don't like to think about unnecessary things in the morning.

Sofia smiled.

- How long have you been coming here? - asked Sofia.

- Third time.

- Is it always like this?

- No.

Sofia grinned.

- Of course.

Nora picked another berry, looked at it and put it in a bowl.

— The first time I thought that I had come to listen to Ivar.

— Did it turn out?

Nora spent a long time choosing the next berry.

— That afterwards you start hearing all sorts of nonsense.

- For example?

— The way the bucket knocks is wrong. Like a person puts the cup too hard. How you lie to yourself that you don’t want to take the last piece. Nothing pretty.

Sofia looked at the house.

Laughter came from the kitchen. Probably Nick. She couldn't make out the words, but she recognized an attempt to make the morning easier.

“Last night,” said Sofia, “didn’t it seem like it to you?”

- What?

- Snow. People. Warm earth.

Nora wiped her fingers on the grass.

— I would like to.

— To make it seem?

- So that you can decide.

- What exactly?

— It appeared or not.

She stood up with the bowl.

— But it’s not being resolved.

Sofia looked at her basket of firewood.

- I thought it would be easier in the morning.

- Me too.

- And?

Nora looked into the bowl.

— I took too many sour ones.

Sofia suddenly laughed.

Nora smiled too. Small, almost guilty.

Behind the barn the land went towards the forest. There, further, between the trees, there was a path to the fire pit. During the day she looked shorter. The night has the ability to stretch distances, especially those along which a person returns differently.

“I’ll take the wood and go to the fire,” said Sofia.

- Alone?

- Yes.

Nora nodded.

- Then don’t believe the first sight.

- What does this mean?

— I don’t know. That's what it said to me.

She walked towards the house.

The phrase remained not as an instruction, but like a wet branch in the grass: not very convenient, but it’s already difficult to get around.

Sofia took the basket and went back.

Thomas stood on the porch.

Without a jacket, with a cup in his hands, he looked as if he had gone out for a minute and already regretted it, but did not want to admit defeat in front of the air.

- Are you going to the barn? he asked.

- Already from there.

- A.

He looked at the basket.

- I wanted to help.

Sofia didn't know if it was true.

- You can carry it.

He was a little confused, but took the basket.

The weight was more than he expected. It was visible on the shoulder. He immediately straightened up as if the weight didn't matter.

- Dry? he asked.

— The ones on the right were dry.

- Have you checked?

- By hand.

He looked at her.

There was not surprise in this look, but recognition. The word “hand” no longer belonged entirely to them.

“I left the bread,” Thomas said suddenly.

- I saw it.

— I didn’t want to.

- What exactly?

He chuckled.

— Good question.

Sofia did not help.

Thomas placed the basket on the step.

— I took more than I intended.

— After the night, this is understandable.

— Clear doesn’t mean pleasant.

- No.

He looked towards the lake.

- I do this often. I'll take some stock. Information, things, time, explanations. In case there isn't enough later. This is not greed.

He said the last part too quickly.

— I didn’t say greed.

- But it looks like it.

- Maybe because sometimes fear is very close.

Thomas looked at her carefully.

- Very close to what?

Sofia did not answer immediately.

- To the hand.

He didn't like it.

But he nodded.

- I'll take it.

- Thank you.

He went into the house.

Sofia remained on the porch.

She needed to get back to the kitchen. Instead, she went to the fire pit.

The trail was short, but the morning managed to fill it with details that were not there at night. To the right, an old stump protruded from the grass, on which small yellow mushrooms grew. To the left lay a stone covered with lichen, looking like an old map of a country where no one lives anymore. Thin webs stretched between the trees, drops of water hung on them, each holding the gray sky in a diminished form.

Sofia walked slowly.

Not because she was afraid.

Almost.

The fire pit looked smaller during the day.

This was the first insult.

At night, the circle of stones seemed ancient, deep, almost borderline. In the morning it was just a circle of stones. In the center lay gray ash, several black coals, and a burnt branch that Marek had not finished burning. There is moss nearby. Wet. Dense. With drops of dew. No traces of warm snow. There was no sign that the ground beneath it had been a body yesterday.

The lake was silent behind the trees.

The trees were silent.

Stones, of course, too.

Sofia felt angry.

For what - it’s unclear. That everything is normal. The fact that the usual does not cancel the night. The fact that now she herself will have to carry this discrepancy within herself while the world around her pretends to be innocent.

She sat down by the stone where she had touched the moss yesterday.

She put her palm.

The moss was cold.

Wet.

So ordinary that it was almost scary.

She pressed her fingers harder.

The cold penetrated into the skin, under the nails, into the joints. No heat. No breathing. No answer. Only water, moss, earth, morning.

And yet the hand did not calm down.

Because yesterday she already knew differently.

The cold was no longer proof.

It was a surface.

Sofia removed her hand.

Small dark dots of earth and green damp dust of moss remained on the palm. She looked at them and suddenly remembered Thomas' thick slice on the plate.

Out of place.

But more precise than she wanted.

A branch crunched behind her.

Sofia turned around.

Nick stood on the path, holding his jacket in one hand and his cup in the other. He didn’t put on his jacket, and apparently forgot to finish his cup.

“I’m not stalking,” he said immediately. “I just chose the wrong direction.”

- Nick.

- Okay. I chose well, but it was too late.

— I said I wanted to be by myself.

- Yes. That's why I'm standing over there, almost like a bush.

— The bushes are silent.

— I'm working on myself.

She wanted to get angry.

It didn’t work.

He didn’t come close. He stopped next to another stone.

— Warm?

Sofia shook her head.

- Cold.

- Great. This means that the night did not pass certification.

She looked at him.

- Weak joke.

- I know.

He crouched down and also touched the ground. Fast. Almost angrily. Then he removed his hand and wiped his fingers on his pants.

— I hate it when the ordinary looks more suspicious than the strange.

- Were you awake too?

— Slept. In a dream, I argued with a man whose hands were empty. He won because he didn't show any documents.

Sofia smiled.

- You can even make nightmares procedural.

- This is not talent. This is a character injury.

He squatted down and looked at the ash.

- I understand him.

Sofia didn’t ask who.

It was not necessary.

Nick continued:

— Not in the “I approve” sense. I just understand. If winter is ahead, if a child coughs, if a neighbor closes the door... a person begins to look for a place where they can no longer put him in this position.

He raised his palm and looked at his fingers.

- Empty hands are humiliating.

Sofia sat down on a root nearby.

— But he could still leave.

- This is disgusting.

- You said so yesterday.

- Because it's true. I don't like truth that repeats itself.

They were silent for some time.

Sofia heard drops falling from the branches. Somewhere far away, from the side of the house, a door slammed. The bird screamed briefly and immediately fell silent.

“I took the middle slice this morning,” said Sofia.

Nick looked at her.

— Did you notice it too?

- Yes.

— I cut bread like a person who files a complaint about chaos.

- And how?

— Chaos did not accept.

Sofia laughed.

Quietly, but with real laughter.

Nick smiled too, but immediately became more serious.

— Thomas didn’t eat his.

- I know.

— He didn’t leave it because he didn’t want to.

- I know.

- So I don’t like this house. Here even the bread begins to behave like a person who understands everything, but remains silent.

Sofia looked at the circle of stones.

- Maybe it's not the house.

— I really hoped you wouldn’t say that.

They walked back together.

Not fast. Immediately. This is how people go who have not yet finished speaking, but have already realized that it is not necessary now. Nick stopped at the porch.

- Just let’s not draw any big conclusions until lunch.

— I’ll try.

- I'm serious. The meaning must have a schedule.

- First tea, then meaning?

— And meaning in small portions.

The kitchen became warmer.

Thomas has already returned to the table. A basket of firewood stood by the stove, the logs neatly stacked. Ivar disappeared somewhere. Marek was washing his knife at the sink. Lina poured the berries into a small bowl. Eve was talking to David at the window. Nora was sitting on a bench, holding a mug in her hands, from which she did not drink.

There was a slice on Thomas' plate.

Sofia saw it immediately.

And she got angry at herself for it.

It lay in the same place as before. Thick, dense, with an uneven edge. At first glance it looks ordinary. Maybe a little darker from the air. Maybe she was just staring too closely.

Thomas sat next to it and pretended to read something on his phone without connection.

Nick walked to the table, took his cup, found it empty, and reached for the teapot. His hand accidentally touched the edge of Thomas's plate. The plate moved slightly. The hunk swayed.

Nick automatically held it with his fingers so it would not fall.

And immediately pulled his hand away.

Not sharply.

Not theatrical.

But Sofia saw.

He froze for half a second, then took the teapot with his other hand and poured himself some tea as if nothing had happened.

Thomas looked up.

- What?

- Nothing.

Sofia heard the word like the blow of a small wooden hammer.

Nick didn't look at her.

The slice was warm.

She knew, although she didn’t touch.

Thomas didn’t understand right away. Then he looked at the bread. Then he extended his hand and stopped.

Between the desire to check and the fear of checking.

Marek turned off the water at the sink.

The noise disappeared.

All that remained in the kitchen was the faint crackle of the stove.

Ivar stood in the doorway.

Sofia did not hear him enter.

He had one log in his hands. Small, dry, with a clean split. He looked at the table, at Thomas, at the hunk, at Nick, who was drinking his tea too diligently, and said nothing.

Then he went to the stove, opened the door and put the log inside.

The fire did not immediately accept it.

First it licked the edge.

Then it stopped.

Then he slowly walked along the dry wood.

Thomas was still looking at the bread.

“I didn’t want to hide,” he said quietly.

Nick lowered his cup.

Nick wasn't kidding.

Ivar closed the stove.

“Then eat,” he said.

Thomas looked up at him.

The phrase was simple. Almost crude in its simplicity. No consolation. No analysis. No explanation that “hiding” means more than just physically hiding. No lecture on measure. Only an action that returned bread to its original purpose.

Thomas took a piece.

Didn't stop this time.

He brought it to his mouth and took a bite.

Chewed it slowly.

Sofia saw that it was difficult for him.

Not because the bread was bad.

Because it was good.

Because the warm bread that you took “for later” still remains bread. It does not turn into an accuser. It does not become a monster. It does not require confession. It simply keeps feeding.

Thomas ate another piece.

Nick exhaled quietly.

David turned to the window.

Lina put the butter in front of Thomas without saying anything.

Eve looked at Sofia.

Sofia looked at her hand.

The soil under the nail has become almost invisible.

Almost.

Ivar put the poker in place.

“After breakfast,” he said, “let’s go to the water.”

This was the first announcement of the day.

Nick raised his head.

- Everyone?

- For those who can go beyond the answer.

- What if I go for air?

Ivar looked at him.

— Air is usually more patient than answers.

Nick nodded.

— I’ll try not to disappoint the air.

This time, several people smiled.

Quiet.

Without a booth.

Sofia finished her tea.

There were crumbs on the table.

Regular.

Uneven.

Light on a dark board.

Previously, crumbs were something to be brushed away for her. Small debris after eating. Now each crumb looked like a trace: the bread was whole, then it became a slice, then it entered the hands, the mouth, the body, the warmth. Nothing has disappeared. Everything has moved on.

Nora collected the crumbs with her palm and poured them into a small bowl by the window.

- For birds? - asked Sofia.

Nora nodded.

- If not for birds, then for something small.

- What if no one comes?

Nora looked at the bowl.

- Then we'll see tomorrow.

Sofia smiled.

Nick approached her and said very quietly:

- I didn't touch it.

— Touched.

- Well, okay. Almost didn't touch it.

— Was it warm?

Nick looked at Ivar at the stove, then at Thomas, who was finishing his slice without the previous protection, then again at Sofia.

- Too much.

- Hot?

- No.

- Then what?

He paused.

— As if it was waiting.

Sofia did not answer.

Because it was exactly the word she was missing.

The bread did not blame.

It did not frighten.

It did not prove anything.

It waited.

Like the ground under the snow.

Like moss under cold water.

Like a fairy tale under a familiar name.

Like all living things that people have taken for reserve for too long.

About the book

for the reader

"Sampo" opens the cycle “Radiance” not with a museum legend or with a ready-made mythological symbol. The book enters the northern world before the story becomes decoration: the world of home, forest, water, work, scarcity, waiting, and the human need to call the source one's own.

Sampo here is not only a lost object and not only a mythical machine of abundance. This is a question: why does a person strive to own the source, already being inside the world that feeds him?

The book is written as a literary text, but works as a study: through scene, thing, speech, silence and choice, it tests whether an ancient image can again become a living form of understanding.

No spoilers

what the reader will find inside

North house

The house in “Sampo” is not a decoration or a cozy postcard. It is a place where people can gather, stay warm, argue, be silent, eat, listen and bear each other's presence.

Thing and source

The book's focus is not on the hunt for an artifact, but on testing the human desire to obtain abundance without complicity with the order that holds that abundance.

Ivar and Mera

Ivar does not explain the world like a teacher and does not decorate it with mysticism. His presence holds something important: not every depth needs speech, and not every thing becomes yours if you understand it.

Myth before myth

The book does not reconstruct folklore. It enters into the imaginary density of a world where such stories could become necessary because otherwise a person would not retain the law in memory.

Artistic-research frame

for funds and partners

“Radiance” is a literary and philosophical artistic-research cycle about how ancient stories preserve figurative instructions for the world. Finnish-Karelian and Kalevala material is the main northern spine of the cycle.

“Sampo” explores the instruction of abundance and participation. This is not an academic study of the epic and not a fantasy setting based on mythological material. The artistic form here becomes a way of checking: what the ancient image preserves, what it warns against, and what human participation it requires.

Sampo is not a question of where the source is. This is the question of why a person wants to own the source while being inside it.

Topics

first research nodes of the book

Abundance

Not as wealth and not as a reward, but as a question of what feeds the world and what a person does with what he receives.

Ownership

The desire to call a source one's own is the point where gratitude can turn into capture.

Participation

The book asks whether it is possible to receive the fruit of the world without agreeing to be part of its living order.

Labor and miracle

The miracle in “Sampo” does not cancel work, cold, body, craft and responsibility. It goes through them.

House

The home becomes a place of moderation: it welcomes people, but does not turn the meeting into a comfortable illusion of security.

North

The north here is neither exotic nor a costume. It is a way to hear in a world where excess quickly becomes dangerous.

For whom

reader entrance

This book may appeal to readers who value slow mythopoetic prose, a northern atmosphere without fantasy clichés, philosophical depth without lecture, and an ancient image that operates through life, the body, work and human choice.

"Sampo" does not require the reader to know "Kalevala". Something else is more important to them: the readiness to enter a world where the fairy tale has not yet become fiction, but the thing still remembers that it was a sign.

Language and publishing status

current card

RURussian version is completed.
ENEnglish literary transcreation completed.
PLPolish version in preparation.
FIFinnish version is possible as the next partner stage.

For foundations, publishers and cultural partners

cooperation points

What already exists

  • Completed Russian book of the first cycle “Radiance”.
  • Completed English literary transcreation.
  • Prepared visual package for Russian, English and Polish presentation.
  • Connection with the long-term literary-philosophical cycle and the artistic-research frame.

What's possible

  • Partnership for Polish and Finnish versions.
  • Publishing, translation and editorial cooperation.
  • Literary readings, public conversations, presentations of artistic research through fiction.
  • Cultural programs related to Nordic mythopoetic material, language, memory and artistic research.

Place in cycle

Radiance

“Sampo” is the first input to “Radiance”. The next book in the series, Song, continues the method through word, hearing, language and attunement.

Further books reveal craft, threshold, trauma, return, birth, forest, measure and responsibility as the next nodes of the long-term cycle.

Ashraellen symbol- mark of presence